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Jumat, 23 Desember 2011
Arthur cristmas 2011
ARTHUR CHRISTMAS (2011)
Arthur Claus (James McAvoy) is the bumbling son of the reigning Santa, Malcolm Claus (Jim Broadbent). Arthur is relegated to the Letter Department where he can presumably do no damage. Arthur's brother Steve (Hugh Laurie) is the heir apparent to the title of Santa. Steve is handsome, confident, and in charge of the North Pole command center that monitors Santa's gift-giving flight around the world. The film opens with a bravura set piece showing how Santa is able to stop in millions of homes in one night. Hint: he has the help of thousands of elves.
When Arthur discovers that one gift was accidentally undelivered, he becomes determined to get it to the unfortunate girl before Christmas sunrise. Even with the help of his retired grandsanta (Bill Nighy) and a perky elf (Ashley Jensen) from the Wrapping Department, can Arthur travel around the world in time?
There have been many movies over the years where Christmas must be saved from disaster, but Arthur Christmas has a very creative take on it. From the opening scene where it's established that Santa is really a dynasty through the centuries, a title handed down from father to son, to the paramilitary operation to get millions of presents delivered in one night, to the misadventures of Arthur and his grandsanta as they try to make sure one little girl is not disappointed, Arthur Christmas is fun, creative, and original. Produced by Aardman Animations in association with Sony Pictures Animation, this CGI animated film delivers Aardman's distinct brand of quirky humor and style.
The art direction maintains the slightly skewed look of an Aardman claymation film. The character designs are asymmetric and the surface textures are realistic yet bold. The North Pole command center and Santa's high-tech sleigh are clean and modern.
Sometimes celebrity voice talent backfires, but here it works beautifully, the English accents lending a sense of gravity that heightens the silliness. Bill Nighy is particularly good, conveying wisdom that is tinged with resentment of the modern gift-delivery methods his son and grandson use.
Arthur Christmas is a funny, heartwarming, and poignant look at the Santa Claus mythos, adding a family dynamic that will resonate with children and adults. I expect Arthur Christmas will become a joyful holiday favorite for years to come.
Happy feet two (2011)
HAPPY FEET TWO
I thought HAPPY FEET was pretty great. The film was foot-tapping fun and the dark turn it took in the third act, while unexpected, made it edgy and different for me. When a sequel was announced, I thought it seemed unnecessary. How far can you really stretch the premise of penguins who can dance and sing? Apparently, not that far. After viewing the sequel, it very much does seem unnecessary and wholly forgettable within ten minutes after you walk out of the theater, which is disappointing to say the least. Other than this, the main problem with HAPPY FEET 2 is that there aren't that many good musical numbers as compared to the first one. Most of them are pretty mediocre. However, there are probably around three that range from good to great, one of which uses the song "Under Pressure," which is easily the best number in the entire film.
Another problem I had was the dark tone of the film. It's a bit TOO dark, if you ask me. You see the younger penguin characters constantly be put in danger which made the film very uncomfortable to watch, and what these characters go through in the film would probably traumatize them for life. The film also suffers from messy storytelling. For example, the subplot with the shrimp characters (voiced by Matt Damon and Brad Pitt) seems to come from nowhere and is out of place from the rest of the film. It also doesn't help that the characters are so damn annoying. As for the 3D, it's put to good use in some places but, overall, it's really unnecessary. The one good thing I can say about the film is the look of it, which is very beautiful. I also liked Pink a lot, who gives a boost for all the musical numbers she sings in, along with Robin Williams, who has a few great jokes up his sleeves.
Overall, HAPPY FEET 2 is a disappointment considering that I am a fan of the first film. Director George Miller doesn't seem to have his heart in the right place for this sequel compared to the first film. However, the film is slightly better then CARS 2 if that says anything.
The muppets (2011)
THE MUPPETS
Funnily enough, the movie treats the Muppet characters as if they were real life actors, with The Muppets shows and movies being their past careers. The Muppets haven't seen any action in years (a fact also true in real life), and each muppet has taken his/her own path in life with varying degrees of success. When crisis arises, the old troupe is forced to find each other and give it another go.
It is all weaved through a fascinating metanarrative that begs the question, what happens to the Muppets when they aren't The Muppets? After all this time away, can The Muppets make a comeback through a reunion and relive their former glory days? – a question ultimately answered by the movie itself.
The film opens with a common puppet named Walter, whose childhood consists of watching The Muppets and dreaming of joining them. His older brother Gary (Jason Segel) extends the invitation to come with him and his girlfriend of 10 years Mary (Amy Adams) to Los Angeles so that he can visit the Muppet studio. Much to his disappointment, the Muppet theater is abandoned and Walter even overhears an oil tycoon's (Chris Cooper) plot to tear down the place. Walter and Gary quickly seek out Kermit the Frog to reunite the Muppet crew and remedy the situation, but all the while Mary is upset that the turn of events is ruining her 10 year anniversary with Gary.
As you can imagine from the premise alone, the movie is a tribute to the Muppets in every sense. It travels respectfully through the old Muppet history, and relives it instead of trying to replace it. In fact, seeing how each one branched off from the group like members of an old band and "grew up" gave, I would say, substantially more character to each Muppet than they ever had before. I think fans will agree that this is the best possible way the muppets could have returned.
Simply put, I can't imagine anyone with a heart not enjoying this film. There's something in it for everybody, especially if you're in the mood for laughter and catchy musical numbers. The creative humor was a breath of fresh air. There is plenty breaking of the fourth wall and oh so much of that lovely deadpan irony and absurdist humor, reminiscent of old comedies like Airplane! The audience in the theater was cracking up almost every other moment, myself included. And while humor is its strong suit, the movie is also an incredibly heartwarming tale of friends that go their separate ways but are still connected through their hearts. Moviegoers and Muppet fans alike, go see this movie!
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Hugo (2011)
HUGO (2011)
Saw it today in a sneak preview today at the Director's Guild in LA. James Cameron who was there professed it's a masterpiece and the best 3D to date. And he's right on both fronts. The film is exquisitely crafted. The cinematography and set design is likely going to take home a couple gold guys. It's a film lover's dream movie. As with many of Scorsese's films, it's an inspired film history lesson along side of being a dreamlike children's fable. A really unique combination that will work for the film enthusiasts and discerning family's with kids. Maybe a bit long for broad audiences with very little kids, but the images are so enchanting, it should win over most everybody. Sasha Baron Cohen is a brilliant and hilarious standout as the twitchy constable. It should be very well received just on the 3D alone.
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The adventures of tintin (2011)
The adventures of tintin (2011)
For once, I felt compelled to do it because... Well... because I'm Belgian and grew up on a steady Tintin diet, like most Belgians my age and older. The comics... not the cartoons. Needless to say I'm a old fan.
I also happen to be a fan of Spielberg's, probably since seeing E.T. when I was about 5 years old. The two could be mutually exclusive. I could take the role of the harcore comics fan who despises the adaptation, or the rabid Spielby fan forgiving everything.
Thankfully, after having the chance to see it before most people out here in Belgium and everywhere else thanks to a journalist buddy, I found out I can to be none of the above. Spielberg and Jackson and all the team behind the adaptation obviously gave the original material the love and respect it deserved, while making it their own.
To clarify the origins of the story itself, you have to know that it isn't the adaptation of one, but three Tintin comics. Its beginning takes root in "Le Crabe aux Pinces D'or", while the rest of the movie revolves around the two-albums story of the hunt for Rakham the Red's treasure, "Le Secret de la Licorne" and "Le Trésor de Rakham le Rouge". While it could seem like a lot of material for a whole movie, the choice of blending those three (two and a half) stories together turns out giving the movie a rather perfect pacing.
To kill a double controversy in the making, and like I've already read in a couple critics: Tintin has always been a "bland" character in the comics. He has no asperities. He is brave, always gets out of the tangles he gets in, he is a good guy, he doesn't know doubts... Tintin as a character has his limits, dramatically speaking, and even Hergé knew that... It is actually the reason for the appearance of Captain Haddock after a few albums. Haddock is the dark side of Tintin, prone to anger and shouting insults, hard drinker, natural born loser... Far from a being just a comical sidekick, Haddock is the human counterpart to the flawless hero that Tintin is (remember, this is a comic, originally aimed at kids and older kids). The movie has the intelligence of starting off the big screen adventures of Tintin with the two meeting up and becoming friends, a real turning point in the continued adventures of Tintin.
The movie also deftly skips what could have been a typically Hollywoodish mistake of giving Tintin exposition. But none of that nonsense here. Tintin is a reporter, that's all you need to know. That's all the comics ever told us about him. None of them ever showed Tintin doing actual reporter work. I don't think he ever used a typewriter, he has no boss, no workplace. Tintin just finds himself where adventure is. Because he's a reporter. Hergé never needed more, kudos for the guys behind this movie for keeping true to that. It will be held against them, but that will be coming from people who don't know the original material.
But I somehow had little worries about that, honestly. It was only obvious they wouldn't touch the spirit of what's considered a classic worldwide. Well, not those guys. I had more doubts about the transition from Hergé's "Ligne Claire" type of drawing to CGI's and even more so to the use of 3D. And that's where I was truly impressed. Not that I'm adverse to CGIs, mind. In fact it's the cartoons that bred those doubts in me. The varied 2D, celluloid adventures of Tintin always bugged me, because of that transition from the seemingly simple but incredibly dynamic looks of the books, looking so wrong when brought to animated life. Yet the movie did a great job of shutting up the Tintin geek. It simply looks stunning, and your mind easily jumps back and forth between forgetting these are cartoon characters and appreciating their transition to a 3D environment, respectful of the original designs but literally bringing them to life.
In short, all these elements drew me to the same conclusion, Spielby and co. managed to deal a great adaptation. One that has true respect for the original material, and the great ambition of adding something to it. Yes, not everything of it. "Le Crabe aux Pinces D'or" could have deserved a whole movie. Shortcuts are taken, and as true to their originals as they are, the characters have been redesigned. But in the end you have a movie that can be appreciated both by fans of the comics as well as people who have "just heard about them". It is fun, packed with adventure and action, enjoyable at all ages. And most of all, you can go see it without having to worry about seeing another piece of Hollywood-flavoured perversion, a fast-foodified betrayal. If that's what you like, note, there's been that Smurf thing, recently (another childhood favourite). You know, that other Belgian comics adaptation that took the little blue dudes from their tiny corner of European medieval forest to... Modern New York? But if you have more gourmet tastes, better bet your money on Jackson and Spielberg. Trust this true childhood Tintin fan.
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